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Going Green, One Film at a Time

By Shira | Apr 15, 09 08:56 PM

My interview with Larry Engel, Co-Author of the recently released Code of Best Practices for Sustainable Filmmaking, was just published on MediaRights.org and featured in their newsletter to over 20,500 members:
Going Green, One Film at a Time

Here's a choice excerpt:

Shira Golding: Do you think documentary filmmakers have a particular responsibility to be sustainable?

Larry Engel: Yes. Those of us from Filmmakers for Conservation and the Center for Environmental Filmmaking, are very much in the forefront of contact with the most exotic and fragile environments. We’re in the face of animals who are threatened and near extinction, and we make stories about them. It’s important to do that so that the public sees how beautiful and precious our world is, and exactly how fragile it is. Yet, for many many years, it didn’t matter how many Land Rovers you had – it didn’t quite matter what imprint you made on the land or the animals. And that didn’t make any sense.

This came to me many many years ago when I was working with a dear friend of mine and Co-Producer, Tom Lucas, out in Yellowstone. We had done an hour-long film for the National Wildlife Federation and PBS called Wildfire. We were tracking the ‘88 Yellowstone fires, and in the winter we went back to see how the park was doing, and we witnessed many many elks starving.

One of the researchers with whom we were working said, “You know, we’ve been doing studies about the caloric impact of human contact on animals from the back-country, and we learned that one contact can burn up hundreds of calories. Even if the animal doesn’t run or leave or do anything, just the stress and awareness, the adrenaline, consumes calories. In a marginal year, human contact could make the difference in the life and death of individual animals.”

At that point Tom and I looked at each other and we said, “Well you know what? We don’t really want to film anymore of these animals.” And she said, “You can keep filming them, but back off. Let’s make sure to use blinds and work in the trees so we minimize contact, instead of clomping around among hares and elks and buffalo. Let’s change our behavior.” Tanya really emphasizes that we have to change the behavior and sensitivity of the whole filmmaking world, from distributors, to programmers, the filmmakers, the manufacturers, all through the line.

Because if we can’t come around to figuring out how to create a sustainable lifestyle as filmmakers, then we’re doing a disservice to our subjects and therefore also to the audience.

Take a read and let me know what you think!

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